But all god's chillun got algorithms.
I keep thinking about "Music for Airports."
Transcribers found a method to Eno's madness
and scored for orchestra what had once been bits of tape.
Of course, music, like math, makes the problem easier,
but as Stewart says, "Let's solve the easy problems first."
Consider music as an intelligent archivist challenge.
One archivist goes off with a digitizer and reduces
"Music for Airports" to bits of spectral sound. Another
sits down, listens to the music and writes a score.
Which goes into
Dept. of Archives and Manuscripts
Arizona State University Libraries, Rob?
Which one satisfies the composer, Brian?
Tom Ditto